Our host for this episode is William Beezley, Professor of History at the University of Arizona and Editor in Chief of the Oxford Research Encyclopedia of Latin American History. He moderates a roundtable discussion with historians Stephanie Wood and Susie Porter about Mexican women’s self-expression through textiles and dress throughout history to the present day.

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On this episode of The Oxford Comment, we chatted with SJ Miller, Deputy Director of Educational Equity Supports and Services at the NYU Metropolitan Center for Research on Equity and the Transformation of Schools; and David E. Kirkland, author of “Black Masculine Language” from The Oxford Handbook of African American Language, and Executive Director of the NYU Metropolitan Center for Research on Equity and the Transformation of Schools; to discuss the developments we’re seeing in today’s English lexicon and how we can positively incorporate linguistic change instead of dismissing it.

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This month on The Oxford Comment, Anita Lam, Associate Professor at York University in Toronto and author of “Gansters and Genre” in the Oxford Research Encyclopedia of Criminology and Criminal Justice, chats with Dr. Karen Fang and Peter Stanfield about the characteristics of gangster films; the differences we see in these films internationally; the cultural metaphors the films present about race, gender, and class; as well as the role the genre plays into other mediums such as music and television.

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Please note: this episode contains explicit language and references to explicitly sexual artwork and has not been bleeped.

In this episode of the Oxford Comment (the latest in a series produced by the Benezit Dictionary of Artists), Benezit’s Editor in Chief, Dr. Kathy Battista, sits down with painter Betty Tompkins in our New York office. The two discuss the start of Tompkins’ life as an artist in New York in the 1970s, the success of her large-scale sex paintings and other airbrush works, and her new series of text paintings, WOMEN Words. For more insight into Betty’s career and feminist art over the last half-century, Michelle Wilson from Oxford Art Online invites art historian Dr. Betty Ann Brown, curator Stephanie Roach, and gallerist Mitchell Algus to join the conversation.

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© Oxford University Press

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